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The Eno House Fiasco

The book that could change how you see your world

Read an excerpt in the August/September 2004 issue of National Wildlife magazine: "A Shakespeare Among Birds"

Critical praise for Going Wild:
"This book gradually won me over ... What gives Going Wild its unexpected power is Winkler's accumulating observations and genuine devotion to his local haunts. He invests himself in his birds through careful attention and long familiarity ... Going Wild convincingly demonstrates the value and power of attachment and locality."
— Robert Finch, co-editor of The Norton Book of Nature Writing, in The Weekly Standard

"An account of Winkler's trips and observations might sound unexciting, especially since most Europeans will not know many of the birds that he is speaking about. Yet that is not the case; Going Wild provides a thoughtful and well-informed account of nature ... [and] will appeal to lovers of natural history, especially birds."
—Christopher Perrins, president of the British Ornithologists' Union, in The Times Literary Supplement (London)

"[Robert Winkler's] bright writing makes for a very pleasant read."
—Yankee Magazine

"A book urban dwellers with a taste for nature should take to heart ... filled with fascinating bits of information ... What makes Going Wild: Adventures with Birds in the Suburban Wilderness so interesting is that practically all of the adventures [Winkler] recounts took place in Fairfield County, Conn., where he lives, between 50 and 75 miles from New York City."
—The Philadelphia Inquirer

"Filled with a love of nature, a strong conservation ethic, and personal touches that make the reader want to learn more, this quiet book will find a niche with fans of good nature writing."
—Booklist

"With Robert Winkler, National Geographic ... found a genuine birder with an obvious talent for writing ... Whether you are American, British, or any other nationality, this book will translate to your own experiences ... I can give no better plaudit than saying I will recommend this book to all my birdwatching compatriots, and anyone else who harbours the slightest feeling for the natural world."
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This article appeared on the Commentary page of The Hartford Courant on December 12, 1996.

A Mansion's Relocation Threatens Sherwood Island State Park

By Robert Winkler

Next spring, the Connecticut Trust for Historic Preservation plans to lift a very large old house onto a barge, float it down the Saugatuck River, take a left at Long Island Sound and plunk the thing down right in the middle of Sherwood Island State Park, off Westport. Built in 1877 for William Phelps Eno, a pioneer in road traffic management, the three-story house has 32 rooms and is 200 feet long.

Now empty and rundown, the Eno house was slated for demolition when the Connecticut Trust, a nonprofit group, stepped in to save this reputedly classic example of Colonial Revival architecture. The owner donated the house to the Connecticut Trust on the condition that it be moved so a new house could be built in its place.

The move alone will take three months and cost more than $500,000. The Connecticut Trust is confident it can raise the money and the additional $1.7 million needed to renovate the house. When all of this work is done, the Connecticut Trust will open historical exhibits and make the Eno house its headquarters. It has offered space to a state tourist bureau and, in an ironic twist, to environmental organizations.

Many of us who feel an attachment to Sherwood Island have been patiently waiting for state officials to tell the Connecticut Trust that moving the Eno house to the park is not an option. Connecticut's Department of Environmental Protection, which oversees state parks, is seriously considering the plan. Meanwhile, the Connecticut Trust, claiming support from Gov. John G. Rowland, proceeds with its annexation of state land, though it has no mandate from Sherwood Island's true owners, the people of Connecticut.

The Connecticut Trust has been waging an effective publicity campaign that portrays the old and neglected Eno house as a magnificent mansion and says almost nothing about our vibrant coastal park, an ecological wonderland. Imagine a huge columned building in abysmal condition being hauled onto the Cape Cod National Seashore or lowered into the Grand Canyon. Moving the Eno house to Sherwood Island is as preposterous a notion.

The only coastal state park west of the Housatonic River, Sherwood Island is Fairfield County's equivalent of Hammonasset Beach State Park. At 234 acres, Sherwood Island is much smaller, but on the coast of densely populated Fairfield County, where space is at a premium, its importance looms large.

Sherwood Island has a mile-long beach, where people go to enjoy wide-open spaces and Long Island Sound scenery. Nature enthusiasts can explore diverse coastal habitats—a tidal pond, marshes, creeks, dunes, woods and fields—all within a relatively compact area. Sherwood Island's bird checklist exceeds 280 species, a testament to the park's ecological value.

Sherwood Island is not, and was never meant to be, a historical repository. The purpose of this beautiful park is to keep structures like the Eno house out. People go there to escape buildings. Sherwood Island cannot spare precious acres for any house, much less one with palatial dimensions.

The Connecticut Trust argues that, aside from being a convenient place to land a barge, Sherwood Island is a valid site for the Eno house because similar homes once existed there. In the 1950s, the state of Connecticut removed the last of those houses. It did so to create a park that would be an open-space oasis amid Fairfield County's increasingly built-up coastline. Forty years later, the Connecticut Trust now wants to undo the very quality that makes Sherwood Island unique.

To make room for the Eno house at Sherwood Island, trees would be felled, meadows would be torn up and wildlife would be evicted. This immense structure would dominate the surrounding landscape, profoundly changing the park's character. You don't save an old house by violating the hallowed ground of Connecticut's oldest state park.

Sherwood Island is one of the last open-space frontiers on the coast of Fairfield County, and the Connecticut Trust wants to stake its selfish claim. It fails to realize that, by virtue of Sherwood Island's status as a state park, this frontier is closed.

The residents of Connecticut entrust the Department of Environmental Protection with the stewardship of public land. Opening the gates of Sherwood Island to the Eno house would betray that trust. If the DEP fails to stop the Eno travesty, Sherwood Island and its admirers will suffer a great loss, and a dangerous precedent will throw the future of all Connecticut state parks into question.

Robert Winkler, a nature writer, lives in Newtown and is secretary of the Friends of Sherwood Island State Park.

Epilog
On December 20, 1996, the Connecticut Department of Environmental Protection concluded that moving the Eno house to Sherwood Island State Park "would not be feasible." The Connecticut Trust for Historic Preservation failed to find an alternate site, and on July 1, 1997, the Eno house was demolished.

A message from Robert Winkler


Jeff Brush/Connecticut Post (used with permission)

If you enjoyed this article, I know you'll enjoy my new book, Going Wild: Adventures with Birds in the Suburban Wilderness, which expands on many of the short pieces I've posted here. Going Wild is National Geographic's first literary book on birds—the perfect prose companion to your field guide.

Why do I write about birds? Because they represent the wild in all its glory. They're numerous, diverse, intelligent, talkative, and beautiful; their power of flight never ceases to amaze; and they're the most conspicuous class of wild animal—even in the suburb, they're just about everywhere. Going Wild mentions more than 200 species, and I go into detail on more than 40. The book also has essays on flying squirrels, copperheads, a woodland waterfall, a black spruce bog, and an observation or two on that sometimes peculiar subspecies of Homo sapiens: the suburbanite.

Going Wild is shaping up to be a critical success. Recently, it was an editor's pick in The Philadelphia Inquirer, and in the May 3, 2004 Weekly Standard, Robert Finch, co-editor of The Norton Book of Nature Writing, said: "This book gradually won me over ... What gives Going Wild its unexpected power is Winkler's accumulating observations and genuine devotion to his local haunts. He invests himself in his birds through careful attention and long familiarity ... Going Wild convincingly demonstrates the value and power of attachment and locality."

Whether you're a beginning or advanced birder, a fan of nature writing, a curious suburbanite, or a reader in search of that rare bird known as a good book, Going Wild could very well change how you view your world. So get your copy now, or buy one for your favorite birder or nature lover. It's 30% off at Amazon.


Copyright © 1996, 2001 Robert Winkler

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