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Requiem for a Farm
A natural classroom's destruction teaches a lesson about the priorities of people
By Robert Winkler
About the Author
ecessions aren't all bad. If not for the recession of 1974, I
might never have discovered birds. I had just graduated from college and
was living with my parents in Westport, Connecticut. I visited dozens of companies and
mailed hundreds of resumes, but no one was hiring. With time on my hands, I sat
one day in a friend's yard watching blue jays and chickadees take sunflower
seeds from a gallon jug fashioned into a hanging bird feeder.
I was a
kid from Queens who had never paid much attention to birds. I thought that if a
bird was black, it must be a crow. Blue jays, a rare sight, were bluebirds of
happiness.
My family moved to Westport while I attended college in
Massachusetts. Visiting them on school breaks, I felt we'd settled in the
countryat least it seemed that way compared to Queens.
Now college
was over, and job prospects were bleak. Gazing that day at the birds coming to
my friend's feeder, I realized I too could lure these marvelous creatures to my
yard. Maybe this could keep me busy while I waited for the economy to
improve.
My first project was to build a bird feeder and birdbath, then
I set up a camera to catch the parade of wings. I found a pair of World War II
binoculars buried in a storage cabinet and bought A Field Guide to the
Birds.
It wasn't long before I outgrew backyard birding. Yearning for
new birds, I set out to explore wilder places. With my dog, I crawled under a
fence behind our house and emerged onto a small farm.
It was the
beginning of my 20-year attachment to a cornfield, an apple orchard, an
overgrown meadow, and a small woodland. I walked there with my dog nearly every
day, rambles that got me inextricably hooked on birds. When old age claimed my
steadfast companion, I introduced a second dog to my private
sanctuary.
This spot was all that remained of the farmland that once
covered much of the town. For me, and anyone wishing to explore there, it was a
portal to the disappearing world of nature.
It was here that I once
surprised a sandhill crane, a bird standing more than four feet tall. Bugling
as it rose from the cornfield, it flew off and later showed up at a tidal pond
near the town beach. Feeding at the cornfield by day and roosting on a grassy
island in the pond at night, the crane was a spectacular rarity, and hundreds
of New England birders came to see it.
I have never found a better place
than this farm to watch American woodcocks in early March put on their unique
air show. To attract a mate, the male circles high into the air on whistling
wings, then spirals to earth with a cascading love song that turns into
unromantic buzzes when he lands.
On warm late-winter days in the
orchard, I would sometimes hear the song of the eastern bluebird beckoning
spring. For most of one summer, I listened at dawn and dusk to the amusing
catcalls of the rare yellow-breasted chat and was lucky enough to glimpse this
largest of North American warblers in the tangles west of the
cornfield.
I saw other rarities: Lawrence's warbler, upland sandpiper,
dickcissel. I watched a sharp-shinned hawk send a flock of dark-eyed juncos
scattering; white-throated sparrows scold a lone screech owl; a merlin zoom by
like a jet fighter; vengeful crows chase a red-tailed hawk.
Bullfrogs
called from a pond at the farm's southwest end and dodged the dagger-bills of
great-blue and green herons. White-eyed vireos, indigo buntings, yellow-billed
and black-billed cuckoos, and willow flycatchers returned to the thickets in
summer.

Toward evening in mid-August,
the wood thrush's wistful melody echoed through the small woodland cathedral, a
dirge to the nesting season's end. In September, common nighthawks migrating
south skimmed the tops of the uncut grass, feasting on flying insects, and
ruby-throated hummingbirds helicoptered between jewelweed blossoms.
Years ago, I moved to a neighboring town where I can wander in nature
preserves 50 times the size of this farm, but I still visited the place where I
had seen so many birds for the first time. For all it offered, the farm was
usually deserted, but others eventually discovered it, and they weren't
watching birds.
The Town of Westport, owner of the land, had been leasing it to an
out-of-town farmer, but the cornfield had fallen idle. Westport officials viewed
the unplowed land as somehow incomplete and felt compelled to find another use
for it.
They began pushing to transform the cornfield into an athletic
field, with studies showing an athletic-field shortage and backing from the
Little League. Our young athletes are deprived, they argued, and we must build
athletic fields even if it means sacrificing the last remaining farm.
I
have fond memories growing up playing basketball, stickball, and football, but
they fade to insignificance compared to the richness of my experiences in
nature. I saw plenty of athletic fields in town, but only one farm. Replacing
the cornfield with a ball field would drive away or destroy wildlife and
demolish a valuable natural classroom. It would kill an old farm.
When
their representatives voted to bulldoze the farm into history, most townspeople
saw it as progress. Preserving land is fine for tropical rain forests, but not
in our backyard!
Where do they think migratory birds from the rain
forest raise their young? Every spring, birds that spend the winter in Central
and South America return to New England's cities, suburbs, and towns, nesting
on farmland and forgotten patches of nature.
We call such places
"undeveloped," an innocuous-sounding term that has crept into the language and
created an anti-nature bias without our knowing it. The term implies that the
poor, impaired land needs our help to reach its full potential. But as
naturalist David Suzuki has pointed out, from the perspective of the plants and
animals living there, this land is fully developed. Nature knows how to make
full and wise use of the land, if only we would let it.
A few weeks ago
I revisited the farm, now an athletic park, its name carved in foot-high
letters into a boulder at the entrance to a new parking lot. Empty of people,
it was pleasant enougha flat expanse of trim green bordered by a
grandstand and a chain-link fence.
Water pipes and electrical lines have
been laid, a thick layer of smooth blacktop has replaced the bumpy dirt
driveway, and a public telephone stands watch.
The pickup truck that
rusted for decades near the orchard, almost hidden by weeds, has disappeared.
The old footpath, where I crawled under fallen limbs and squeezed between
thorny wild roses, now is wide enough for a bus.
I thought of my
dogsboth are buried near the fence that allowed us to enter this place.
How puzzled they would be to behold the old farm now.
Untouched land
still surrounds the ball field, but that too is owned by the town, which
undoubtedly will feel compelled to "develop" it. Town officials claim that an
athletic-field shortage still exists, and they have been eyeing an adjacent
meadow as the site for a new 1,200-student middle school, which would replace a
school that closed a few years ago because of declining
enrollments.
Standing there I realized that, whatever remains of the old
farm, my heart is no longer with it. On my way to the car, I saw a female
American kestrel effortlessly winging a few feet above the grass. She alighted
on one of the conifers planted to screen the ball players from neighboring
houses.
I took my spotting scope from the trunk and watched her
confidently survey the new landscape, fanning her reddish tail and spreading
her wings to keep her balance. Perhaps she is descended from the kestrels I
found nesting here years ago and, like me, had come to mark the passing of yet
another remnant of the wild.
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A message from Robert Winkler

Jeff Brush/Connecticut Post (used with permission)
If you enjoyed this essay, I know you'll enjoy my critically
acclaimed book, Going Wild:
Adventures with Birds in the Suburban Wilderness (National
Geographic), which expands on many
of the short pieces I've posted here. Why do I write about birds? Because they represent the
wild in all its glory. They're numerous, diverse, intelligent, talkative, and
beautiful; their power of flight never ceases to amaze; and they're the most
conspicuous class of wild animal—even in the suburb, they're just about
everywhere. Whether you're a beginning or advanced birder, a fan of
nature writing, a curious suburbanite, or a reader in search of that rare
bird known as a good book, Going Wild could very well change how you
view your world. So get your copy now,
or buy one for your favorite birder or nature lover. Best deal on the Web: brand new, perfect copies $5 each (69% off) at National Geographic Books.
Text and photos ("Sandhill Crane
in Flight," "Electronic Swallow" and "The Apple Picker") Copyright ©
2002 Robert Winkler
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