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One Man's Cascade
My own private natural wonder

By Robert Winkler
About the Author

art of the charm of southern New England is that distinctive features of the landscape often occur on a human scale. Subtle in their appeal and sometimes hidden, these special places may not be readily noticed.

A little waterfall here in Newtown, Conn. is a perfect example. I passed within a minute's walk of it a dozen times without suspecting it existed. How could someone who likes to think of himself as observant be guilty of such an oversight? There were many distractions.

The main trail in the 1,000-acre Lower Paugusset State Forest, the second-largest state forest in Fairfield County, follows Lake Zoar, a dammed section of the Housatonic River. It threads its way through woods dominated by hemlocks, which rise straight and tall from steep riverside slopes.

In places, pure stands of hemlocks unfold into the distance, and some of the trees are giants. Walking among them at this time of year, you might hear the diaphanous song of a hermit thrush, if not too many motorboats are buzzing up and down the river.

The stately trees, the rhythm of walking, the undulations of the trail and the periodic views of the river, flowing between rolling hills, usually lull me into a wilderness reverie. I now realize that you can hear the waterfall as you approach Prydden Brook, 1.5 miles from the trailhead, but time after time I must have thought the sound was the wind, if I heard it at all.

Then one day I came to the lazy brook and stopped. Instead of crossing, I wandered along it toward the river, going around a bend. Finally, I was conscious of an unmistakable mild roar. Stepping over the thickly needled sprays of fallen hemlock branches, I found myself at the top of the waterfall.

"Cascade" by Robert Winkler It tumbled below me for about 50 feet, over a series of broad step-like rocks. Swept into its atmosphere of excitement, I scrambled to the bottom and there concluded that this was about the finest little waterfall I had ever found.

No artist, I thought, could conjure up the picture that nature had hung on this riverside slope. The brook threw itself down the rocks in long frothy sheets, in splashy buckets and in pencil-thin streams. Moss-covered rocks and a fallen timber, glistening wet, filled the spaces. Silvery green hemlocks arched above the commotion.

From a fern-fringed pool at the bottom of the waterfall, the brook resumed its winding course toward the Housatonic. A hundred yards away, it blended into the river with barely a ripple.

I returned to the top and worked my way back down, noting how abruptly the water changed character. Just above the waterfall, the brook was calm, almost stagnant, and only inches deep. When it came spilling down the rocks, not only did it flow faster; it also seemed to grow in volume, as if fed by some magical spring.

A true waterfall, I suppose, plummets from a considerable height in a great display of earth-shaking power, bathing close admirers in benevolent spray. This was falling water of a lesser magnitude, showy rather than awesome. Standing only yards away, I felt none of its wetness.

So I had to concede to myself that, strictly speaking, this was a cascade. Whatever it lacked in grandeur, however, it made up for in approachable New England beauty.

Although I had been coming to the forest for a year before stumbling upon the cascade, the thrill of discovery was worth the wait, and I was grateful no one had told me about it. Clearly, it was no secret. Nearby, an open area had the well-worn look of a picnic ground, a slope was torn up with mountain bike tracks and some trees had "No Camping" signs riddled with gunshots.

This humble natural wonder may have a name, but I will always call it One Man's Cascade. Its intimate scale seems to dictate that it is best viewed alone.

Recently I was approaching the cascade on an unmarked side trail when I spied three people and a dog clambering among its rocks. Would I be a proper social animal and join them? No. The spell would be broken.

"Forest Interior with a Waterfall" by Andre Giroux

Turning up a slope, I picked up the main trail and followed the brook in the opposite direction, feeling a little cheated, debating with myself over whether to turn back. The hemlocks thinned out, giving way to sunlight and open deciduous woods, with mountain laurels lining the brook.

No one, it seemed, had passed through this placid scenery lately. As if to confirm my feeling, a pair of mallards burst up from an island in the brook. They flew high above the trees, and I lost them behind a hill.

Soon they were circling back, telling me they probably had a nest. So I moved on, happy to leave them to their parental duties, and reassured that, wherever one decides to go, discoveries await.

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A message from Robert Winkler
RW
Jeff Brush/Connecticut Post (used with permission)

If you enjoyed this essay, I know you'll enjoy my critically acclaimed book, Going Wild: Adventures with Birds in the Suburban Wilderness (National Geographic), which expands on many of the short pieces I've posted here. Why do I write about birds? Because they represent the wild in all its glory. They're numerous, diverse, intelligent, talkative, and beautiful; their power of flight never ceases to amaze; and they're the most conspicuous class of wild animal—even in the suburb, they're just about everywhere. Whether you're a beginning or advanced birder, a fan of nature writing, a curious suburbanite, or a reader in search of that rare bird known as a good book, Going Wild could very well change how you view your world. So get your copy now, or buy one for your favorite birder or nature lover. Best deal on the Web: brand new, perfect copies $5 each (69% off) at National Geographic Books.

"Forest Interior with a Waterfall, Papigno" by André Giroux (c. 1825; oil on paper)
Text and photo ("Cascade") Copyright © 2000 Robert Winkler


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