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of Greater New Haven which is solely responsible for its contents.
The Beginnings
At PresentSince the Steinert donation Yale has vastly enlarged its collection. Today, preserved in the museum's glass cases are objects of musical history, produced in eras when artistry reigned. Some instruments on display have long ago become obsolete and may seem exotic to the modern observer, but each piece in this museum is truly unique. In the string section, for example, is Austrian builder Johann Georg Stauffer's instrument crafted in 1828 which combines features of a violin and a cello. This experimental design included a unique f-hole shape which resembled a 120-degree angle instead of the traditional f-hole curve.
An 18th-century Russian bassoon features a painstakingly-carved serpent head which some scholars argue was used to entertain bystanders at parade events, while others argue it was used to ward off enemy forces during military attacks. But the Yale collection is more than simply a museum of musical artifacts. According to Associate Curator Nicholas Renouf, "It's more like a reference library. Of course students can't check instruments out, but they can in fact work closely with them." Students in the School of Music can, by appointment, examine individual instruments and in certain cases, depending on its condition, actually play the instrument. The Collection of Musical Instruments also hosts an annual concert series where musicians perform on the actual historical instruments. According to Renouf, the Yale collection is "one of the ten most important in the world." Renouf explained that while the some of the world's larger exhibits, in Brussels or the Metropolitan Museum in New York were created to be exhaustive, Yale's collection is much more selective. As with any museum, restoration is a complex issue. "While people generally want to restore an instrument simply to satisfy their curiosity as to what it sounds like, restoration is an irreversible process, so we tend to minimize it. Our main goal is to preserve, not to restore." Renouf said.
InformationThe Yale University Collection of Musical Instruments, 15 Hillhouse Avenue, contains over 1,000 instruments, the majority of which document the Western European art music tradition, especially the period from 1550 to 1850. Included in the holdings of the Collection are the Morris Steinert Collection, the Belle Skinner Collection, the Emil Herrmann Collection, the Albert Steinert Collection, and the Robyna Neilson Ketchum Collection. The collection is open to members of the Yale community free of charge -- $1 donation is suggested for the general public --. Hours are 1-4 p.m. Tuesday-Thursday (closed July and August). The museum maintains permanent exhibits and presents lectures, special exhibitions and other events. A series of Sunday afternoon concerts featuring performances on restored instruments from the collection is presented annually. For information, call 432-0822. For information about the concert series, tickets and reservations, call 432-0825. |
Additional information is from Reminiscences of Morris Steinert, comp. by Jane Marlin, (Knickerbocker Press, New York, 1900), and from the archives of the Jewish Historical Society of Greater New Haven.
Unless otherwise noted, all images of instruments on this page are representative only and are not pictures of the actual artifacts in the Yale Collection. Original photograhs were taken by Werner S. Hirsch, others were reproduced from copyright-expired sources.